This one’s been bugging me for years…
UPDATED MAY 2021
Back in 2007 I wrote something about an amazing James Carr B Side Forgetting You. “…the band (led by that incredible Reggie Young guitar) shifts things down to a minor key, then just builds and builds,” I said. Years later, when I asked Reggie about it he said, “That’s not me.” Hmmmm… as we delved further into the Memphis guitar player thing with our Clarence Nelson investigation, I thought maybe we had our man. I asked Goldwax founder Quinton Claunch point-blank like ten times… “No, it wasn’t Clarence. It was some other guy – Chips found him for me.”
The song had been written by the great O.B. McClinton, who was there on the ground floor with Quinton, both as an artist and songwriter, cutting this seminal B Side for Goldwax in 1964, She’s Better Than You. In the liner notes to The Complete Goldwax Singles Volume 1 Quinton is quoted as saying, “He wrote that for James… I brought Steve Cropper to do guitar on that thing. He wasn’t tied up exclusively at that time. I just employed him to play on that one track.” Hmmm… The following year, Carr would wax the definitive version of the song that O.B. had composed for him, She’s Better Than You on Goldwax 119, featuring a guitar player that is not Reggie Young, nor Clarence Nelson…
James would then take another song O.B. had written for him and break into the Billboard R&B top ten, taking You’ve Got My Mind Messed Up all the way to #7 for Goldwax in early 1966. The liner notes for The Complete Goldwax Singles Volume 2 mention “Reggie Young’s distinctive opening guitar…” but it is quite obvious that whomever the guitar player is on here is the same as on the record that started all this in the first place, the flip of Carr’s next release for the label, Forgetting You. If we are to believe Reggie’s assertion that it’s not him (and why wouldn’t we?), then who on earth could it be?
I’ve been working behind the scenes here deciphering the 1967 log book as part of our Reggie Young Discography Project with (besides the usual suspects) my friend Mark Nicholson, the proprietor of the excellent American Sound Archive on YouTube. As it turns out, he is also quite the Soul Detective…
‘Bloodhound’ Nicholson recently pointed out this review of Carr’s 1967 You’ve Got My Mind Messed Up LP by Thom Jurek, a ‘Senior Staff Writer’ at AllMusic, in which he states “By the album’s end with the title track, listeners hear the totality of the force of Memphis soul. With Steve Cropper’s guitar filling the space in the background, Carr offers a chilling portrait of what would happen to him in the future…”
Wait, WHAT??? STEVE CROPPER???
Hmmmm… Well, come to think of it, it does kind of sound like him, and we’ve already established that he was employed by Goldwax “to play on that one track…” Do you think it’s possible that Quinton Claunch, that sly old fox, has been keeping Cropper’s name out of it all these years because of his being ‘tied up’ at Stax when James cut these landmark recordings?
Now THAT would be something!!
Please let us know your thoughts on all this… Thanks!
Scott Ward asked Steve Cropper if that was him on ‘Forgetting You’ “Nope.”
Rob Bowman asked Steve Cropper if that was him on ‘You’ve Got My Mind Messed Up’ “Nope.”
The crew at Diggin’ Deep Records recently sent me a copy of their new James Carr release (bless their hearts), with two rare Goldwax era cuts new to 45. I Don’t Want To Be Hurt Anymore is quintessential Reggie Young all the way. The flip on the other hand (which Quinton had left ‘in the can’ at the time) is Carr’s smoldering take on Roosevelt Jamison’s There Goes My Used To Be which, I believe, features our same mystery guitar player…
There is one more track that we hadn’t mentioned yet that, without a doubt, has our mystery man on guitar – the awesome Quinton Claunch penned Love Attack, which would cruise to #21 R&B in the Summer of 1966.
With Quinton Claunch now passed on, the quest to identify this great Memphis musician becomes even more compelling… detectives?
(YouTube playlist of all audio tracks below…)